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In which Frances Hardinge peers at the Universe and admires the Shiny Bits

World Fantasy Convention 2013

Posted in Sighted At Large - 12 November 2013 - 2 comments

Shortly after the St Jude storm had batted the British Isles around like a bored cat with a paper boat, I travelled down to Brighton for the World Fantasy Convention. Nobody had told the local winds that the storm was over, so whenever I ventured out I kept both hands clamped protectively over my hat.

Those might be Christmas decorations. Or they might be to stop the tower blowing away.

Those wires might be decorations. Or maybe they’re to stop the tower blowing away.

Once again I had the joy of meeting a lot of people I only knew through Twitter, email and the mailing list of the Scattered Authors’ Society. (I grew quite accustomed to the words ‘I recognised you from your hat!’)

I was also introduced to Shadwell, one of the small felt pigeons acting as ‘ambassadors’ for Loncon 3 next year.

wfc13 - me with shadwell2-fixed-small

The first evening of the convention was Halloween, so there were many splendid costumes on display.

A coven of authors. From the left and clockwise: me, Teresa Flavin, Gillian Philip, Linda Strachan, Emma Barnes and Lucy Coats

A coven of authors. From the left and clockwise: me, Teresa Flavin, Gillian Philip, Linda Strachan, Emma Barnes and Lucy Coats (Photo courtesy of Gillian Philip’s iPad.)

There were also magnificent displays of steampunk regalia, and three gentlemen with four-foot-wide hats made out of modelling balloons and flashing lights.

On the Friday I appeared in a panel with a stellar collection of authors – Garth Nix, Holly Black, Sarah Rees Brennan, Chris Priestley and Chris Wooding. This was the brief.

The Next Generation” Not in Front of the Children: How Far Should You Go in Young Adult Fiction? (Oxford)

Sex, drugs, violence—open up a young adult book these days and there’s a good chance that you’ll find some—if not all—of these. Is this really what we should be teaching the younger generation, or is there an argument to be made that the earlier they are exposed to what were once considered adult themes then the better they will be able to deal with them?

Our chair, Sarah Rees Brennan, gave a wonderfully tongue-in-cheek performance as the Voice of Moral Outrage, declared us all ‘sinners’  and corrupting influences from the very start, and introduced us by ominous nicknames. I’m very happy with my new title, “The Grande Dame of Darkness”…

...which to me sounds a bit like this.

…which to me sounds a bit like this.

I have long held the view that young readers are tougher and smarter than many adults realise, and are generally the best judges of whether they are ready to read certain kinds of material. It became clear that most of the panel was broadly in agreement, but it was still a fun and interesting discussion. Chris Priestley gave an eloquent defence of books that purely entertain, rather than making heavy-handed attempts to educate or ‘improve’. Holly Black discussed the perpetual nervousness with which the adult world regards teenagers. Garth Nix stated that YA should not be considered subset of children’s fiction, but of adult fiction (hence the name). By age sixteen Chris Wooding had been not only reading horror novels but writing them.

wfc13 - mass signing hall2-small

Friday’s mass signing in the Oxford Hall

Gillian Philip,

Gillian Philip, Linda Strachan, me, Cecilia Busby, Katherine Roberts, Tim Collins, Emma Barnes, Teresa Flavin. (Queue in the background was for Neil Gaiman)

On Sunday I took part in a joint reading with other children’s/YA authors from the Scattered Authors’ Society – a ‘taster menu’ of extracts offering a mix of comic, haunting, exciting and chilling. My fellow readers were Emma Barnes, Cecilia Busby, Teresa Flavin, Amy Butler Greenfield, Katherine Langrish, Katherine Roberts, Linda Strachan and Lucy Coats.

Over the weekend I had the chance to listen to a number of fascinating panels, covering subjects such as world-building, YA as a genre, historical fantasy and the influence of real landscapes and places upon fantasy writing.

In the upstairs art gallery, like everyone else I was hypnotised by Tessa Farmer‘s otherworldly aerial battle made almost entirely out of dead things, suspended from the ceiling by threads. Sheep skulls were dreadnaughts, and tiny ant-like fairies rode dead bees, beetles and sea-horses into combat. I also took a shine to Autun Purser’s Fantastic Travel Destinations, advertising trips to the likes of Yuggoth, Midwich and the end of the Earth with cheery 1940s style posters.

Brighton Pavilion at dusk

Brighton Pavilion at dusk

Photo taken by Katherine Roberts

Photo taken by Katherine Roberts

Now I have convention withdrawal symptoms… and I have to find somewhere to store all my loot.

wfc13 - loot2-small

Tags: Brighton, convention, panel, public appearance, World Fantasy Convention
← Happy Halloween! ArmadaCon 2013 →

2 Responses to World Fantasy Convention 2013

  1. Anna M.C. says:
    November 13, 2013 at 6:16 am

    But surely your convention withdrawal symptoms will be soothed by Armadacon? 🙂

    See you there!

    Anna M.C.

    Reply
    • Frances says:
      November 13, 2013 at 7:34 am

      True, thank goodness! I’m looking forward to seeing everyone down in Plymouth!

      Reply

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In which Frances Hardinge peers at the Universe and admires the Shiny Bits